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CLAUDE
HEATH
Born 1964. Lives
and works in London. Education: B.A. Philosophy, 1983-1986, King's College,
London Solo
Exhibitions
2008 'Claude Heath'
Fruehsorge Contemporary Drawings, Berlin 'Claude Heath' Aller Art Bludenz,
Austria
2006 'Claude Heath' Stichting Lokaal 01, Breda, Netherlands
2005 'Built in the Air/In Aere Aedificare' Fruehsorge Contemporary Drawings,
Berlin
2003 'Ben Nevis' Sleeper, Reiach & Hall, Edinburgh
2002 'Claude Heath' Kettle's Yard, University of Cambridge
2001 'Claude Heath' Paul Kasmin Gallery, New York 'Claude Heath' The Centre
for Drawing at Wimbledon School of Art
2000 'Art In Sacred Spaces' Christchurch, Isle of Dogs, London, (one venue
of twelve)
1999 'Claude Heath Drawing from Sculpture' The Henry Moore Institute /
Leeds City Art Gallery
1998 'The Pith and the Marrow' Hales Gallery, London
1995 'Claude Heath' Hales Gallery, London
Selected Group Exhibitions
2008
‘Drawing: James Brooks, Layla Curtis, Claude Heath, Maria Lalic
and Jem Southam’, Madison, London
'Outlines', Gimpel Fils Gallery, London
'Space Now!' Space HQ, The Triangle, London
'Linie 08' Gallery Dina4 Projekte, Munich
2007
'Isobar' Fieldgate Gallery, London 'ARTfutures 2007' Bloomberg SPACE,
London
2006
John Moores Painting Prize 24, Walker Gallery, Liverpool 'Art and the
Senses' Science Oxford, Oxford Trust, Oxford 'Lodestar' Terrace Gallery,
London 'HAUPTSACHE, WIR BLEIBEN ZUSAMMEN!' Fruehsorge/Galerie fur Zeichnung,
Berlin 'Thinking Through Drawing' Kettle's Yard, University of Cambridge
'Anatomy Acts' City Art Centre, Edinburgh, University of St.Andrews Gateway
Galleries, University of Dundee Lamb Gallery, Swanson Gallery Thurso,
and further touring
2006-9
'You'll Never Know: Drawing and Random Interference' Hayward Gallery Touring
Exhibition 2006-7: Harris Museum and Art Gallery, Preston; The Glynn Vivian
Art Gallery, Swansea;The Lowry, Salford; New Art Gallery, Walsall; Tullie
House and Art Gallery, Carlisle 'On the Way to Things' Churchill College,
University of Cambridge 'Seeing Heads' The Hatton Gallery, University
of Newcastle
2005
'Showcase CAS' City Art Centre, and Talbot Rice Gallery, Edinburgh 'Transmission
Portfolio' Haus Am Lutzowplatz, Berlin 'Taking a Line for a Walk' The
Place, Letchworth Garden City 'Work from the Print Studio, Cambridge'
Broadbent Gallery, London 'Sue Arrowsmith and Claude Heath' Galerie Hollenbach,
Ausstellungraum Zurich
2004
'Gegen den Strich/ Another Line' Staatliche Kunsthalle Baden-Baden 'Sue
Arrowsmith and Claude Heath' Galerie Hollenbach, Stuttgart 'Other Criteria'
The Henry Moore Institute, Leeds 'Sculpture on Paper: Works from the Leeds
Collection' The Study Galleries, Leeds City Art Gallery/The Henry Moore
Institute. Selected by Claude Heath 'ARTfutures 2004' Contemporary Art
Society, London 'Facing' FLACC, Hasselt, Belgium 'Transmission: Speaking
and Listening' Domo Baal Gallery, London, with Sheffield Hallam University,
School of Cultural Studies
2003
'Claude Heath and Marion Coutts' Kettle's Yard Gallery, University of
Cambridge 'Pizza Express Prospects Drawing Prize' The Truman Brewery,
London 'Drawing 100' The Drawing Room, London 'No.20 Aubrey Square. Rachael
Barraclough and Alison Clark: 40 Designers' London
2002
'Mapping The Process' Essor Gallery, London 'Head On: Art with the Brain
In Mind' Science Museum, London
2001
'Fall Show' G Fine Art, Washington 'Sages, Scientists, and Madmen' One
In The Other, London 'The Jerwood Drawing Prize 2001' Cheltenham &
Gloucester College/Princes Trust, London 'Summer 2001.' Paul Kasmin Gallery,
New York 'Paper Assets: Collecting Prints and Drawings1996-2001' The British
Museum, London 'Systems:Past-Present-Future' TIAA/CREF, New York
2000
'Art In Sacred Spaces' Christchurch, Isle of Dogs, London 'Made Space'
Touring exhibition; Pekao Gallery, Toronto, Canada, The Changing Room,
Stirling, Scotland, and The Talbot Rice Gallery, Edinburgh, Scotland,
'Claude Heath' Bury St. Edmunds Art Gallery
1999
'Recent Acquisitions, Leeds Sculpture Collections' The Study Galleries,
Leeds City Art Gallery 'Works from the Frank Cohen Collection' Glasgow
Museum of Modern Art, Scotland. 'Drawings' Nicole Klagsbrun Gallery, New
York. 'Claude Heath, Leo De Goede, DJ Simpson, Alexis Harding, Andrew
Bick' Gallerie Hollenbach, Stuttgart, 'The NatWest Art Prize' Lothbury
Gallery, London,'The John Moores Exhibition 21' Walker Art Gallery, Liverpool,'The
Great Hall' Bury St.Edmunds Art Gallery
1998
'Works on Paper' Duncan Cargill Gallery, London,'The Jerwood Painting
Prize' The Jerwood Gallery, London, 'From Within / D'all Interno' Juliet
Gallery, Trieste, Italy, 'The Whitechapel Open' Whitechapel Gallery, London,
'Le Doux Dessin' Hasselt, Belgium
1997
Prizewinner, 'The John Moores Exhibition 20' Walker Art Gallery, Liverpool,
'Klarsehend' One In The Other, London. 'Low Maintainance / High Precision'
172 Deptford High Street & Hales Gallery, London, 'Blueprint' De Appel,
Amsterdam, 'Antechamber' Whitechapel Art Gallery, London
1996
'Young British Artists VI' The Saatchi Gallery, London, 'The Whitechapel
Open' Whitechapel Gallery, London
1995
‘To Whom It May Concern' Anna Bornholt Gallery, London
Collections
Bank of America,British Museum, Centre for Drawing, Wimbledon School of
Art, Christ's College, University of Cambridge, Deutsche Bank, Dresdner
Kleinwort, Eel Pie Publishing, Emmanuel College, University of Cambridge,
Ferens Art Gallery, Hull, presented by the Contemporary Art Society Fitzwilliam
Museum, Cambridge (Archive of The Print Studio Cambridge), Government
Art Collection, UK, Henry Moore Institute, Lodeveans Collection, The National
Collection/Arts Council Collection at the Hayward Gallery, Bequest of
Charles Saatchi, Simmons and Simmons, UBS AG, Walker Art Gallery, National
Museums and Galleries on Merseyside
Residencies, with associated exhibitions; and publications *
Kettle's Yard Fellowship 2002-3, University of Cambridge* Wimbledon Centre
for Drawing, Wimbledon School of Art, 2002-3* Henry Moore Institute, Claude
Heath 'Drawing From Sculpture' 1999* 'Art In Sacred Spaces' Christchurch,
Isle of Dogs, London, 2000 (one venue of 12)
Performances
Kettle's Yard, University
of Cambridge, 'Universe', animated drawing projection as score, performed
by Anton Lukoszevieze and Rhodri Davies
Selected Bibliography
2008
Jan-Phillip Frushorge, 'Suspension des Wissens - Armierrung des Blicks'
in 'Raum der Zeichnung'; pp.124-129. Sue Hubbard, 'Pen and pencil point
the way', The Independent, 26 March.
2007
'Isobar' exhibition catalogue, Fieldgate Gallery, London; pp 30-1.
2006
Claude Heath ' Built on Air: 3D Paper' pp.20-23; John Stell, 'Drawing
in Three Dimensions'pp. 7-17;Lynne Cameron, Claude Heath, Patricia Cain,
'The Practice of Drawing in Three Dimensions' pp. 24-31; all in 'Explorations
in Spatiality': Spatiality in Design, Leeds. John Moores 24, catalogue,
Walker Gallery, published by National Museums Liverpool. Tania Kovats
'The Drawing Book.' Black Dog Publishing. Andrew Patrizio 'Subtle Knots
and Strange Stations: On Curating Anatomy Acts'pp. 167-186; Sara Barnes,
'Ecologies of Anatomy: commissioned work for Anatomy Acts.'pp.139-158.
Both in catalogue 'Anatomy Acts: How We Come to Know Ourselves', edited
by Andrew Patrizio and Dawn Kemp, published by Berlinn. Tom Holbrook,
'Drawing you in', Building Design, 11 August. Jeni Walwin and Henry Krokatsis
'You'll Never know'. Hayward Touring Exhibitions Catalogue. Duncan MacMillan
'Musings on Medicine are a powerful body of work' The Scotsman, 23 May
2006.
2005
Andrew Patrizio 'Following the Curve', in 'CAS Showcase', published by
the Contemporary Art Society. pp. 15; 24; 37. De Appel Amsterdam, 'If
walls had ears/Als muren oren hadden 1984-2005' Edited by Edna Van Duyn.
2004
Hans-Dieter Fronz 'Gegen Den Strich.' Kunstforum, September-October 2004.
Wolf Schon 'Aufstand der Linien.' Rheinischer Merkur, 9 September, 2004.
Peter Frommig 'Spuren der Wirklichkeit.' Kulturjoker, September 2004.
Johannes Meinhardt and Dirk Teuber. 'Gegen den Strich.' Catalogue, Staatliche
Kunsthalle Baden-Baden, p39 and p66 respectively. Claude Heath 'Missing
the Third Dimension.' Henry Moore Institute Newsletter No.52/ March-April
2004. p.1.
2003
William Furlong 'Claude Heath'. In 'Sculpture in 20th-century Britain:
A Guide to Sculptors in the Leeds Collections.' The Henry Moore Institute.
pp. 155-6. 'Transmission: Speaking and Listening', Sheffield Hallam University/Site
Gallery. pp. 85-93.
2002
Andrew Patrizio 'Perspicuous by their absence; the drawings of Claude
Heath' ;pp. 33-35., and Erika Naginski 'Drawing things in, sketching things
out' pp. 153-55; and 'Claude Heath interviewed by William Furlong'pp.
19-25; all in 'What is Drawing 'The Centre for Drawing, Wimbledon School
of Art.
2001-2, edited by Angela Kingston and Ian Hunt. Mel Gooding 'Seeing Things',
Kettle's Yard catalogue essay. Tom Lubbock 'Don't Look Now', The Independent
Review, 8 October. Patrick Conty 'The Genesis and Geometry of the Labyrinth'
pp 229-30,232,233.
2001
Tom Lubbock 'The Five Best Shows in London.', The Independent on Saturday,
8/12. 'The Jerwood Drawing Prize 2001' Catalogue. Frances Carey, Richard
Cork, Angela Kingston. Jan Koplos 'Claude Heath at Paul Kasmin Gallery'.
Art In America. Alistair Hicks. ' Art Works : British and German Contemporary
Art 1960-2000.'p.232. Deutsche Bank/Merrell Publishers. Felicity Lunn,
'The Whitechapel Open', The Whitechapel Art Gallery Centenary Reveiw.
The New Yorker, 22 Jan..'Claude Heath at the Paul Kasmin Gallery.' Wimbledon
School of Art Research Journal 01/02.
2000
Chris Noraika 'Made Space.' Exhibition catalogue, Published by Atopia
Projects. Susanna Beaumont 'Made Space'. Scotland On Sunday.10 Sept. Jack
Mottram'Made Space'. The List. 7 Sept. Editorial 'Product' magazine. Gary
Michel Galt 'New British Drawing at the Pekao Gallery.' Toronto Globe
and Mail. The Arts Council Collection at The Hayward Gallery 'The Saatchi
Gift to the Arts Council Collection.'
1999
Tim Marlow 'The NatWest Art Prize.' Catalogue essay. Joanna Pitman 'Post
Modern Man'. The Times Magazine. 7 August. The Saatchi Gallery 'The Saatchi
Decade.' Adrian Searle 'Withdrawal Symptoms.' The Guardian Saturday Review,
May 22. Claude Heath 'Claude Heath Drawing From Sculpture.' Published
by The Henry Moore Institute. Graham Fagen, 'Subversive on the Side of
a Lunatic' pp.28-30. Henry Moore Institute. The Henry Moore Institute
'Leeds Sculpture Collections: Works On Paper, Concise Catalogue.' Edited
by Dorcas Taylor.
1998
Paolo Cecchetto and Marina Wallace 'From Within / D'all Interno.' Juliet,
exhibition catalogue. Regina Von Planta 'Claude Heath at Hales Gallery.'
Kunst-Bulletin, Nov. Paolo Cecchetto 'Claude Heath Profile.' Juliet Art
Magazine No.87.April. Anna Murphy, The Observer, Life Magazine. 22/03.
Lynn MacRitchie 'Jerwood Painting Prize '98.' Exhibition catalogue. John
Windsor 'Let the love affair begin.' The Independent on Saturday Magazine,
17/01.
1997
James Hall 'Young British Artists VI.' Artforum, January. Editorial 'New
Shows.' Art Review, March. Whitechapel Gallery 'Antechamber.' Exhibition
catalogue. Sarah Kent 'Five Easy Pieces.' Time Out, No.1389. Waldemar
Januszczak 'Its all a matter of Life and Death.' Sunday Times, 6 April.
Kate Kellaway 'Once, twice, 74 times a lady.' The Observer Review, 13
April. Juan Cruz 'Antechamber.' Art Monthly, May. Stuart Evans 'Who's
Buying Who.' The Guardian, 1 Sept. Saskia Bos 'Blueprint.' Exhibition
catalogue, De Appel, Amsterdam. Robert Roos Trouw, 12 June. David Burrows
'Low Maintainance & High Precision.' Art Monthly, Sept. Cornelia Parker
'John Moores Exhibition 20.' Walker Art Gallery.
1996
Sarah Kent 'Young British Artists VI.' exhibition catalogue, Saatchi Gallery.
Sarah Kent 'Best of the Six.' Time Out, No.1360. John Tozer 'Young British
Artists VI.' Art Monthly, Oct. Lesley Garner 'True Grit of Young Brits.'
Daily Express,13 Sept.
1995
Barry Barker ' Out of Sight but not out of Mind.' Text for Hales Gallery. |
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